The new Monitor Overlays feature allows for critical information to be superimposed in both Source and Program Monitors. For the highest resolution, RED Dragon 6K is also natively supported, with full RED color science built in. New native file format support for Cinema DNG, Sony RAW, Phantom Cine, improved MJPG from Canon 1DC, Sony XAVC Long GOP, Panasonic AVC Ultra (Long GOP), 64 bit ProRes decoding (Mac OS X 10.8 or higher only), and support for exporting XAVC up to 4K and AVCi200 is included, and Cinema DNG can be debayered on a supported GPU for even better performance. You can access all the clip edit points, transitions, and layers, using the same track layout as Premiere Pro. SpeedGrade then opens the sequence in a familiar timeline that more closely matches how you work in Premiere Pro. With Direct Link, editors can save a project in Premiere Pro and then open the sequence they were working on directly in SpeedGrade, with no need to deal with interchange formats or any kind of conversion. With this release, SpeedGrade has fully implemented the Mercury Playback Engine from Premiere Pro, and a brand new workflow between the two applications is being introduced, namely Direct Link. One feature I’ve been looking forward to is the integration between Premiere Pro and SpeedGrade! In a matter of just 4 months the team has worked on new features, new codec support and enhanced some of the existing functions in the apps. We just recently announced new features for all our video products! All processing is done by your system's CPU without the need for a specialized graphics card or GPU.It’s exciting times here at Adobe. There are no special hardware requirements for Color Finesse 3 PI. Displays are available individually or in a convenient combination display.Ĭolor Finesse 3 PI is designed for use with Adobe After Effects CS5 and later, Adobe Premiere Pro CS5 and later. WFM/VS DisplaysColor Finesse provides the monitoring tools you would expect to find in a grading suite, including waveform monitor, vectorscope, histograms, and correction curve displays. Color Finesse provides accurate luma soft-clipping, as well as color limiting to meet broadcast standards. Need to match the color in one frame to a color in another frame? Color Finesse provides single-button color matching to provide natural-looking color matches without fiddling.Ĭolor Finesse's 32-bit floating-point color space allows you to make radical changes in color and luma levels without clipping, but before final output you'll need to bring things back into range. Each of the six channels defines a color range based on up to four color samples with settable luma and chroma tolerance, and a range softness control, allowing you to easily isolate colors without harsh edges.Ĭolor Finesse 3's Auto-Color and Auto-Exposure buttons give one-click access to your color correction starting point, eliminating color casts, improper white balance, and establishing your black and white points. Want to change the color of a scarf or punch up a bland gray sky? Color Finesse's six-channel secondary color corrector allows you to isolate up to six separate colors which can be adjusted for hue, saturation, and hue offset. Levels control determine input and output black, white, and gray points. Individually adjustable color channel curves (both RGB and HSL) let you define exactly how color levels will be processed. Flexibility is the key to getting just the look you want, and flexibility is what Color Finesse offers with its myriad controls and tools. Control the overall image, or work with individual color channels. Work in HSL, RGB, CMY, or YCbCr color spaces. Synthetic Aperture Color Finesse Pl 3.1.0 (圆4) for Adobe AfterFX and Premiere Pro | 5.5 MbĬolor Finesse 3 gives you the high-end color correction and enhancement tools you need as a plug-in for your favorite applications-including Adobe After Effects and Premiere Pro CS5 and later (including CC 2015).Ĭontrol the gain, gamma, pedestal, hue and saturation of your images.
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